This entire review could just be "it does everything," but that feels like a cop out.
First off, and what most people are interested in, the image quality is fantastic. The film simulations render beautiful JPEGs, and the camera saves enough detail and dynamic range into the raw files that you can accomplish just about anything if the JPEGs aren't doing it for you. Most cameras can take beautiful photos though, and the ability to do so isn't what makes this one special.
Unlike most digital cameras, this one feels like a mechanical masterpiece to use. Much like older film cameras, all exposure settings are given their own dedicated external controls. No more holding a button while scrolling a dial to change ISO or exposure comp as each have their own dials. For everything else, there are a huge amount of programmable function buttons to map to whatever functions you need quick access to.
The main attraction of the X-Pro cameras is the EVF/OVF hybrid viewfinder. Admittedly I use the OVF less than I had expected, but it is an excellent option to have for street or event photographers who can appreciate being able to keep an eye on what's happening just outside of the shot. The EVF meanwhile is fantastic. It's sharp, vibrant, and refreshes so fast that in all but the worst lighting you forget that you're looking at a screen. My only gripe is that the auto brightness is almost always either too bright or too dim in the viewfinder, so I usually leave it set manually.
Fuji's flawless implementation of focus peaking means that manual focus lenses that used to be a hassle for DSLRs are now a viable option for most work. Manually focusing with peaking enabled is quick and easy in the majority of situations, and the abundance of adapters for this system means that you can use almost any vintage lens. Have a collection of old Minolta lenses from your film days? They can all be put to use again with a $30 adapter.
Prior to buying this camera I shot exclusively with Nikon for almost ten years. For the past three years I'd been using a D610, along with a full lineup of full frame lenses. Image quality was fantastic, but I found myself often leaving my camera at home because it was just too big and bulky. Enter the X-Pro2, and I can have the same fantastic image quality for about half the weight.
While this camera is often overlooked for action or sport photography, it is actually quite snappy with the newest firmware. The continuous AF is about what I'd expect from most DSLRs, and when paired with a professional grade lens such as the XF50-140 the tracking is spot on and almost instantaneous. Add an 8FPS shooting speed to that and you have a seriously capable camera.
This has quickly become my favorite camera, and it's small size and light weight means it goes more places and takes more great photos. I can't recommend it enough.
To summarize my thoughts:
Pros-
-Same or better image quality as most DSLRs for a fraction of the weight
-Mechanical controls for all exposure settings
-Programmable controls for everything else
-OVF/EVF viewfinder gives you lots of options to fit your shooting style
-Weather resistance means no more going inside when the rain starts
-Film sims render beautiful JPEGs that require minimum post production
-Professional X-mount lenses are almost all less expensive than their full frame counterparts
-Built like a tank
-Ability to use just about any other lens with an adapter thanks to the super short flange distance
-ISO Invariance allows a ton of detail to be pulled out of the shadows when shooting at lower ISOs
Cons-
-EVF auto brightness is usually wrong
-Diopter is REALLY easy to bump out of place
-RAW files can look "wormy" when opening with lightroom (Check out X-Transformer for an easy way to resolve this)
There is a newer model of this item:
Fujifilm X-Pro3 Mirrorless Digital Camera - Black (Body Only)
$2,295.00
(142)
Only 1 left in stock - order soon.
$2,295.00
(142)
Only 1 left in stock - order soon.
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This Item  Fujifilm X-Pro 2 Mirrorless Digital Camera, Black (Body Only) |  |  |  |  |  | |
| Price | $1,418.00 | $2,499.00 | -6% $2,354.95 New Price: $2,499.00 | -8% $1,849.00 List: $1,999.95 | $1,299.00 | $1,019.95 |
| Delivery | Get it as soon as Wednesday, May 1 | Get it as soon as Thursday, May 2 | Get it as soon as Tomorrow, Apr 27 | Get it May 3 - 9 | Get it May 2 - 6 | — |
| Customer Ratings | ||||||
| Picture quality | ||||||
| Image stabilization | ||||||
| Auto focus | ||||||
| Ergonomic | ||||||
| Sold By | 【Japan Premium】 | Amazon.com | Electronics Basket | Wholesale Photo | PROCAM | Amazon.com |
| display type | LCD | LCD | LCD | LCD | LCD | LCD |
| display size | 3 inches | 3 inches | 3 inches | 3 inches | 3 inches | 3 inches |
| lens type | Wide Angle | Wide Angle | Wide Angle | Wide Angle | Wide Angle | fixed |
| shooting modes | Advanced filter modes: toy camera, miniature, pop color, high-key, low-key, dynamic tone, soft focus, partial color; 15 types of film simulation mode | Bulb Mode,Aperture Priority, Manual, Program, Shutter Priority | Automatic, Movie | Bulb Mode,Aperture Priority, Auto, Manual, Program, Shutter Priority | Shutter Priority | Bulb Mode, Time Mode,Aperture Priority, Manual, Program, Shutter Priority |
| connectivity tech | HDMI, USB | HDMI, USB | HDMI, USB | Bluetooth | Wi-Fi, Bluetooth | USB |
| video resolution | FHD 1080p | 4320p | 4320p | 4320p | 4320p | FHD 1080p |
| optical zoom | 1 multiplier x | 1 multiplier x | 1 multiplier x | 1 multiplier x | 1 multiplier x | 1 multiplier x |
From the manufacturer
The Fujifilm X-Pro2 takes X-Series camera performance to new heights. The 24MP X-Trans CMOS III sensor and high performance X Processor Pro dramatically improves image quality. The weather resistant rugged body and dual SD memory card slots to fulfill the wishes of every pro photographer.
Features
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New X-Trans CMOS IIIThe newly-developed 24.3MP X-Trans CMOS III APS-C sensor boasts the highest ever pixel count for an X-Series camera. Combined with an XF lens, it delivers images with a perceived resolution far greater than the number of pixels used. In addition, the phase detection pixels have been positioned over a larger area for a faster, more precise phase detection AF performance. High ISO sensitivity performance has also been improved to the point that the whole sensitivity range — up to the maximum ISO 12,800 (Extended output sensitivity up to 51,200) — can now be used with confidence. The sensor readout speed is now approximately twice as fast, delivering high-speed continuous shooting, precise AF tracking, playback and higher quality movies. |
New X Processor ProThanks to the newly-developed X-Processor Pro engine, processing speeds are now approximately four times faster than a conventional model. This maximizes the capabilities of the X-Trans CMOS III sensor to ensure it delivers the highest image quality with super-fast response times. In addition, thanks to the high-speed reading technology of the sensor, the conventional EVF's display speed of 54fps has been increased to a maximum of 85fps. This substantially reduces the image delay phenomenon when tracking a moving subject. Blackout time after release has also been reduced by approximately half and compressed Raw is supported, improving the ease-of-handling of Raw data. The Fujifilm X-Pro2 features a new CPU for high-speed processing. The Buffer memory has also been increased for an even faster response. |
Advanced Hybrid Multi ViewfinderPhotographers love looking through a viewfinder to take photos, which is why X-Series models have used finders from the very start. Combining the advantages of both an OVF and an EVF, Fujifilm has perfected the Advanced Hybrid Multi Viewfinder with three viewing options. Now you can return to the roots of photography with the only viewfinder of its kind in the world. |
Electronic RangefinderThe EVF is simultaneously displayed as a small window in the optical viewfinder. It can be displayed in three different ways: 100% field of view, 2.5x magnification and 6x magnification. This allows the user to check focus, the angle-of-view, exposure and white balance in real-time, even when taking photos through the OVF. As it can also be used with MF assist, precise MF is possible in the OVF mode. |
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Advanced optical viewfinder systemThe optical design of the viewfinder has been improved, moving the eye point from 14mm on the previous model to 16mm. A diopter correction dial is also included, which makes the viewfinder even more comfortable to use. |
Dual-Function ISO DialThe shutter speed and ISO dials have now been combined into one dial, which is reminiscent of those found on old film cameras. Changing the ISO is done by lifting the outer portion of the dial. Now all exposure settings can be performed with dials. |
Film Simulation - New ACROSUsing the knowledge gained from accurately reproducing color in film manufacturing, Film Simulation allows the user to change color and tone settings to match the subject, scene and creative intent, just as if shooting with a roll of film. There are a total of 15 modes including PROVIA / Standard, Velvia / Vivid and ASTIA / Soft. The Fujifilm X-Pro2 features the new ACROS Film Simulation mode. Its features include smoother gradation, deep blacks and beautiful textures. Ultra high-quality monochrome images are possible, adding extra creativity to the general monochrome mode. |
Grain EffectThe Fujifilm X-Pro2 has the ability to reproduce graininess typically unique to film-based images. There are two strengths: Strong or Weak, which can be combined with each of the different Film Simulation modes. The effects are also possible through in-camera Raw development. |
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Focus Lever allows you to instantly change the focus areaThe new Focus Lever on the back of the camera can be moved like a joystick in eight directions to instantly move the focus area. Now, rapid focus area changes can be made, even when composing an image. Not only is this available to move the AF point during AF mode, but it can also be used during MF mode to quickly move the enlarged display area when using MF assist. |
Phase Detection AF area expanded to 7x7The number of selectable focusing points has been expanded from 49 on previous models to 77. Approximately 40% of the imaging area is now covered by fast, precise phase detection AF pixels, which means focusing speeds when photographing moving subjects have improved dramatically. |
Advanced MF ModeThe Fujifilm X-Pro2 comes equipped with different types of MF assist including Digital Split Image, which is reminiscent of old rangefinders, and Focus Peaking where color is used to show the parts of the image that are in focus. |
Durable magnesium bodyTough conditions are no longer to be feared. The Fujifilm X-Pro2 can be relied upon to take a picture at any time in any conditions. Reliability is one of the most important considerations when choosing a camera, so the Fujifilm X-Pro2 needs to work at any moment, regardless of where you are and what type of scene you want to photograph. That's why the camera body is made from magnesium and features a dust-proof, splash-proof and freezeproof structure, along with a highly durable focal plane shutter and dual card slot. |
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Dual SD Card SlotsThe Fujifilm X-Pro2 is the first mirrorless camera to offer dual SD card slots for highly reliable data storage. Slot 1 is compatible with UHS-II standards for excellent write speeds. One of three recording methods can be selected: sequential, backup and Raw / JPEG sorting. Images can be copied between SD cards within the camera, making image data backup possible without a PC. |
1/8000 sec. Shutter SpeedThe Fujifilm X-Pro2 comes equipped with a focal plane shutter boasting a durability of 150,000 shots, a maximum speed of 1/8000 sec and a flash sync speed of 1/250sec. Furthermore, the camera also includes an electronic shutter with completely silent operation and a maximum speed of 1/32,000 sec, allowing users to select maximum apertures even in bright conditions. |
Exposure CompensationAs it's used so frequently, exposure compensation has been made into a dual-purpose dial. Compensation up ±3 stops in 1/3 steps is possible even with the camera to your eye thanks to the dial's knurled shape. But if the C position is selected, exposure compensation of up to ±5 stops is possible using the front command dial. |
Fujifilm Camera RemoteWith the new dedicated 'Fujifilm Camera Remote' application, you can focus and trigger the camera release from your smartphone or tablet. The app not only lets you adjust focus, but also control settings like shutter speed, aperture, exposure compensation and ISO sensitivity. You can even apply other settings like Film Simulation, self-timer, and flash while 'Touch AF' lets you focus from your phone or tablet, too. Imagine all the situations where this smart assistant will come in handy! Take commemorative group photos with yourself in the shot, capture wildlife photos, or remotely release the shutter for night shots free from camera shake.The photographic possibilities are endless. |
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Fujifilm X-Pro2 Mirrorless Digital Camera
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Reviews with images
A significant improvement over its predecessor
I'm not a very serious or demanding digital shooter. I prefer film, and use digital only to get quick photographs for family sharing or even for work. This probably explains my choice of digital bodies; I have two Nikon dSLRs that are very much reminiscent of the glorious Nikon F100 (the D700 and the D800), and, since I cannot see myself spending tons of cash on a digital Leica, I chose the Fuji X-Pro line as a kind of digital rangefinder.My first one was the X100 (right after the announcement of the X100S). I got it for a decent price... but didn't like it; the colors didn't do it for me the same way the Nikon did, and I found that the camera left a lot to be desired (I was unable to shoot with the lens wide open). I took it on an international trip and only experienced heartache and frustration because the AF was too slow and I couldn't tell the camera where I wanted it to focus, and the menu items were quite confusing... and kept resetting themselves for no reason. In the end, I sold it and decided to give Fuji another chance. When the X-Pro2 was announced I managed to buy an X-Pro1 on offer from a reliable store. While the controls looked a bit like the ones in the X100 (and so did the menus), I kept experiencing the same problems (settings changing on their own, inability to select focusing points, unsatisfactory color rendition). I was ready to give up on Fuji altogether when I started (decided, really) to read reviews of the X-Pro2 and saw that it was a significantly better body. I put any purchase in the back burner because I upgraded my Nikon inventory, but then, when the X-Pro3 came out, I saw my chance and bought a sligtly used X-Pro2.Believe me... even though the X-Pro3 has something I really like (the pivoted screen in the back), I don't think it's still as significant an improvement as the X-Pro2 was over its predecessor. This camera has 300+ focusing points, a lot of choices for film simulation, better organized menus and an excellent color reproduction. Now, one thing that's a vastly better experience in this camera body is the e-finder. Compared to the one in the X-Pro1 (grainy and pixelated), this one offers a clear and sharp view of the image you're about to make. I would use it a lot more if it weren't for the fact that it tends to drain the battery, but, for the moments when you need it, it's available through the front lever. Also, the view mode button is a lot less temperamental than the X-Pro1's and Fuji finally got rid of the absurd Macro mode that always interfered when you wanted to do something with the main selector. I now enjoy, rather than suffer, walking with this camera. Also, the AF is incredibly responsive; I must admit that I like it almost as much as I like my dSLRs because, just like my Nikon bodies, this one has lines that divide the finder in six areas (perfect for the rule of thirds), you can activate any of the focusing points as you please, and even though the finder has a low magnification, it can be customized to show all the information you want or need.Was the X-Pro3 really necessary? I frankly don't know, and given all the complaints about how the cover comes off and the rear screen fails, I don't know if it's even worth getting one for the sake of having the latest toy. I've been always for having the cameras that work, so I'm absolutely thrilled to bits with this one (which, by the way, I use with a zoom lens that's roughly equivalent to a 24-70 in regular film). Add to it the fact that I can shoot both RAW and JPG format, and that I have two card slots (customizable; one can be overflow or used for different formats), this is a camera to keep.I attached a few samples that show the color performance, detail and the way the camera does monochrome (with a yellow filter effect). If you're on the fence about one, feel free to contact me and I'll convince you to get one.
Top reviews from the United States
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Reviewed in the United States on April 3, 2018
This entire review could just be "it does everything," but that feels like a cop out.
First off, and what most people are interested in, the image quality is fantastic. The film simulations render beautiful JPEGs, and the camera saves enough detail and dynamic range into the raw files that you can accomplish just about anything if the JPEGs aren't doing it for you. Most cameras can take beautiful photos though, and the ability to do so isn't what makes this one special.
Unlike most digital cameras, this one feels like a mechanical masterpiece to use. Much like older film cameras, all exposure settings are given their own dedicated external controls. No more holding a button while scrolling a dial to change ISO or exposure comp as each have their own dials. For everything else, there are a huge amount of programmable function buttons to map to whatever functions you need quick access to.
The main attraction of the X-Pro cameras is the EVF/OVF hybrid viewfinder. Admittedly I use the OVF less than I had expected, but it is an excellent option to have for street or event photographers who can appreciate being able to keep an eye on what's happening just outside of the shot. The EVF meanwhile is fantastic. It's sharp, vibrant, and refreshes so fast that in all but the worst lighting you forget that you're looking at a screen. My only gripe is that the auto brightness is almost always either too bright or too dim in the viewfinder, so I usually leave it set manually.
Fuji's flawless implementation of focus peaking means that manual focus lenses that used to be a hassle for DSLRs are now a viable option for most work. Manually focusing with peaking enabled is quick and easy in the majority of situations, and the abundance of adapters for this system means that you can use almost any vintage lens. Have a collection of old Minolta lenses from your film days? They can all be put to use again with a $30 adapter.
Prior to buying this camera I shot exclusively with Nikon for almost ten years. For the past three years I'd been using a D610, along with a full lineup of full frame lenses. Image quality was fantastic, but I found myself often leaving my camera at home because it was just too big and bulky. Enter the X-Pro2, and I can have the same fantastic image quality for about half the weight.
While this camera is often overlooked for action or sport photography, it is actually quite snappy with the newest firmware. The continuous AF is about what I'd expect from most DSLRs, and when paired with a professional grade lens such as the XF50-140 the tracking is spot on and almost instantaneous. Add an 8FPS shooting speed to that and you have a seriously capable camera.
This has quickly become my favorite camera, and it's small size and light weight means it goes more places and takes more great photos. I can't recommend it enough.
To summarize my thoughts:
Pros-
-Same or better image quality as most DSLRs for a fraction of the weight
-Mechanical controls for all exposure settings
-Programmable controls for everything else
-OVF/EVF viewfinder gives you lots of options to fit your shooting style
-Weather resistance means no more going inside when the rain starts
-Film sims render beautiful JPEGs that require minimum post production
-Professional X-mount lenses are almost all less expensive than their full frame counterparts
-Built like a tank
-Ability to use just about any other lens with an adapter thanks to the super short flange distance
-ISO Invariance allows a ton of detail to be pulled out of the shadows when shooting at lower ISOs
Cons-
-EVF auto brightness is usually wrong
-Diopter is REALLY easy to bump out of place
-RAW files can look "wormy" when opening with lightroom (Check out X-Transformer for an easy way to resolve this)
First off, and what most people are interested in, the image quality is fantastic. The film simulations render beautiful JPEGs, and the camera saves enough detail and dynamic range into the raw files that you can accomplish just about anything if the JPEGs aren't doing it for you. Most cameras can take beautiful photos though, and the ability to do so isn't what makes this one special.
Unlike most digital cameras, this one feels like a mechanical masterpiece to use. Much like older film cameras, all exposure settings are given their own dedicated external controls. No more holding a button while scrolling a dial to change ISO or exposure comp as each have their own dials. For everything else, there are a huge amount of programmable function buttons to map to whatever functions you need quick access to.
The main attraction of the X-Pro cameras is the EVF/OVF hybrid viewfinder. Admittedly I use the OVF less than I had expected, but it is an excellent option to have for street or event photographers who can appreciate being able to keep an eye on what's happening just outside of the shot. The EVF meanwhile is fantastic. It's sharp, vibrant, and refreshes so fast that in all but the worst lighting you forget that you're looking at a screen. My only gripe is that the auto brightness is almost always either too bright or too dim in the viewfinder, so I usually leave it set manually.
Fuji's flawless implementation of focus peaking means that manual focus lenses that used to be a hassle for DSLRs are now a viable option for most work. Manually focusing with peaking enabled is quick and easy in the majority of situations, and the abundance of adapters for this system means that you can use almost any vintage lens. Have a collection of old Minolta lenses from your film days? They can all be put to use again with a $30 adapter.
Prior to buying this camera I shot exclusively with Nikon for almost ten years. For the past three years I'd been using a D610, along with a full lineup of full frame lenses. Image quality was fantastic, but I found myself often leaving my camera at home because it was just too big and bulky. Enter the X-Pro2, and I can have the same fantastic image quality for about half the weight.
While this camera is often overlooked for action or sport photography, it is actually quite snappy with the newest firmware. The continuous AF is about what I'd expect from most DSLRs, and when paired with a professional grade lens such as the XF50-140 the tracking is spot on and almost instantaneous. Add an 8FPS shooting speed to that and you have a seriously capable camera.
This has quickly become my favorite camera, and it's small size and light weight means it goes more places and takes more great photos. I can't recommend it enough.
To summarize my thoughts:
Pros-
-Same or better image quality as most DSLRs for a fraction of the weight
-Mechanical controls for all exposure settings
-Programmable controls for everything else
-OVF/EVF viewfinder gives you lots of options to fit your shooting style
-Weather resistance means no more going inside when the rain starts
-Film sims render beautiful JPEGs that require minimum post production
-Professional X-mount lenses are almost all less expensive than their full frame counterparts
-Built like a tank
-Ability to use just about any other lens with an adapter thanks to the super short flange distance
-ISO Invariance allows a ton of detail to be pulled out of the shadows when shooting at lower ISOs
Cons-
-EVF auto brightness is usually wrong
-Diopter is REALLY easy to bump out of place
-RAW files can look "wormy" when opening with lightroom (Check out X-Transformer for an easy way to resolve this)
Images in this review
Reviewed in the United States on March 16, 2016
Top reviews from other countries
Professionals Reviews
The perfect and most well balanced camera. And state of the art.
Reviewed in Canada on December 14, 2019OR
Love it.
Reviewed in Canada on August 18, 2017
OR
Reviewed in Canada on August 18, 2017
Images in this review
