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Pyle 4-Channel Portable Stereo Headphone Amplifier - Professional Multi-Channel Mini Earphone Splitter Amp w/4 ¼” Balanced TRS Headphones Output Jack and 1/4' TRS Audio Input For Sound Mixer - PHA40

4.2 4.2 out of 5 stars 2,613 ratings

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Brand Pyle
Color Black
Model Name 4-Channel Portable Stereo Headphone Amplifier - Professional Multi Channel Mini Earphone Splitter Amp w/ 4 ¼” Balanced TRS Headphones Output Jack and 1/4" TRS Audio Input For Sound Mixer - Pyle PHA40 See more
Power Source Corded Electric
Special Feature noise-isolation

About this item

  • POWERS 4 HEADPHONES: The Pyle Stereo Headphone Amplifier is a monitor distribution system that powers practically any headphones - up to four pairs at the same time. This allows four people in your studio to listen to the main mix while recording
  • INDEPENDENT VOLUME CONTROLS: Each listener can determine their own volume level using the dedicated output level controls. Features independent channel rotary volume knob control for each listener’s convenience. Also features a power ON LED indicator
  • ¼” TRS OUTPUT JACKS: This 4-channel headphones splitter is equipped w/ 4 ¼” stereo headphone TRS output connector jacks which allow you to control up to 4 headphones at once. Also equipped w/ ¼” TRS source input connector jack for your Pyle Pro mixer
  • SUPERIOR AUDIO QUALITY: The PHA40 contains 4 high powered stereo amps that maintain the highest sonic quality even at maximum volume levels. These ultra-low noise operational amplifiers are included for outstanding audio performance
  • COMPACT SIZE: The professional integrated headphone receiver features a mini compact size and measures 4.07” x 1.18” x 2.24”, easy to carry and use on the road. Perfect for both on-stage and in-studio performances or applications
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Legal Disclaimer

This product contains chemicals known to the State of California to cause cancer and birth defects or other reproductive harm.

Product Description

Compact Control Unit, Stereo Headphone Output Level Adjustment, Independent Channel Rotary Volume Controls, 4 14'' Stereo Headphone TRS Output Connector Jacks, 14'' TRS Source Input Connector Jack, Power On LED Indicator, Power Supply Included, DC 12V150mA, Dimensions W x D x H 407'' x 118'' x 224'', Weight 099 lbs


From the manufacturer

headphone amplifier; headphone power amplifier; professional headphones in deals; muisc gear;
headphone amplifier; headphone power amplifier; professional headphones in deals; muisc gear;
headphone amplifier; headphone power amplifier; professional headphones in deals; muisc gear

headphone amplifier; headphone power amplifier; professional headphones in deals; muisc gear;
Compact Control Unit
  • (4) 1/4'' Stereo Headphone TRS Output Connector Jacks
  • 1/4'' TRS Source Input Connector Jack
  • Power Supply Included, DC 12V/150mA
  • Dimensions (W x D x H): 4.07'' x 1.18'' x 2.24''
  • Weight: 0.99 lbs.

4-Channel Stereo Headphone Amplifier, 1/4" Connectors

This compact Headphone Amplifier can hold 4 high-power stereo headphones & maintain the clarity of sound even at maximum volume levels. These ultra-low-noise operational amplifiers are included for outstanding audio performance. It allows up to 4 people in a music session to listen to the mix making each capable of adjusting to their volume level preference.

  • Uses High-Power Stereo Amplifiers for Superior Audio Quality
  • Stereo Headphone Output Level Adjustment
  • Independent Channel Rotary Volume Controls
  • Power On LED Indicator - Stereo Headphone Output Level Controls
headphone amplifier; headphone power amplifier; professional headphones in deals; muisc gear;
headphone amplifier; headphone power amplifier; professional headphones in deals; muisc gear;

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Pyle 4-Channel Portable Stereo Headphone Amplifier - Professional Multi-Channel Mini Earphone Splitter Amp w/4 ¼” Balanced TRS Headphones Output Jack and 1/4' TRS Audio Input For Sound Mixer - PHA40


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Customer reviews

4.2 out of 5 stars
4.2 out of 5
2,613 global ratings

Customers say

Customers like the quality, value, portability, and versatility of the hearing amplifier. For example, they mention it works as intended, is good value for money, and is a compact headphone amp. Some appreciate the ease of setup and controls. That said, some complain about distortion and disagree on sound quality.

AI-generated from the text of customer reviews

623 customers mention474 positive149 negative

Customers like the quality of the hearing amplifier. For example, they mention it's a very capable device, produces quality sound at moderate levels, and does its job well. Some say that it plays very nicely with the Hosa MHE325 Female TRS 1/8-Inch to, and is reliable. That said, they say it works perfectly for both applications and is very sturdy.

"...NOTE: This plays very nicely with the Hosa MHE325 Female TRS 1/8-Inch to Male TRS 1/4-Inch Headphone Adaper Cable (25 ft, ~$10) which allows you to..." Read more

"...Quality is outstanding, I compared several headphones on output 1 and compared with a Polk Surround Bar, even modest over the ear headphones sound..." Read more

"...amazon.com/gp/product/B00PIWB2SO they are good quality, cheap and theres 5 of them so you have one for every port if need be.3...." Read more

"...It introduces no noise into the line, it feels sturdy, the connections are solid, controls are precise, if does not distort the audio at all...." Read more

183 customers mention175 positive8 negative

Customers like the value of the hearing amplifier. They mention it's good for the price, a clever way to save money, and affordable. Customers also appreciate the small form factor and waterproof design.

"...I stumbled across this item by chance and decided at the low price point I'd give it a shot. I was very pleasantly surprised with the outcome...." Read more

"...Really no complaints for the price, I needed an amp to go from my Digital to analogue converter so I could get audio of my TV on headphones, this..." Read more

"...amazon.com/gp/product/B00PIWB2SO they are good quality, cheap and theres 5 of them so you have one for every port if need be.3...." Read more

"...But they're inexpensive, and this setup does work, even if it's not really the ideal way of doing things...." Read more

76 customers mention74 positive2 negative

Customers like the portability of the hearing amplifier. They mention that it has a very compact footprint, and is deceptively small. Some say that it suits their small studio just fine. Overall, most are happy with the size, ease of use, and performance of the product.

"...Pro's- Powerful & Compact- Single-Channel Input to (up to) 4 channel (HEADPHONE level) output-..." Read more

"...The ones I got there have been flawless. They fit the amplifier perfectly and they fit the headphones and my input cable perfectly as well...." Read more

"...It does not require batteries. Its small. And people who haven't really compared it to much else wont notice what its lacking...." Read more

"...This thing provides a lot of power, splits it 4 ways, and has a small footprint. Definitely worth the money.What I don't like:..." Read more

61 customers mention61 positive0 negative

Customers find the hearing amplifier versatile. They say it's great for podcasting, splitting up audio, and sharing music with friends. Customers also say it makes a great addition to their music rig and recording studio rig. They mention that it can really enhance a recording session and is great for TV driving ear buds.

"...The vocals are coming through no issue with the Grado's. Im hearing all the instruments and the song is shining but I wish the volume was better..." Read more

"...IF this thing lasts, it will be a great addition to my recording studio rig, and for the minor pittance paid for it, I would count it as one of my..." Read more

"...This thing provides a lot of power, splits it 4 ways, and has a small footprint. Definitely worth the money.What I don't like:..." Read more

"...I made My Own but this seems to be OK and is available in different lengths:..." Read more

54 customers mention54 positive0 negative

Customers find the hearing amplifier easy to set up. They mention it's simple to use, has plenty of power for all 4 headphones, and is not fussy at all. Some say that it'll last a long time and doesn't take up a lot of space.

"...new at Podcasting and Streaming; Pyle products have proven to be user friendly and budget friendly...." Read more

"...Easy to use, doesn’t need batteries, doesn’t take up a lot of space, and delivers as promised. It won’t affect sound quality at all either...." Read more

"This is the 2nd headphone amp I have purchased. It is simple to use and the construction is strong so it will last a long time with care...." Read more

"...Other than the pilot light, 5 stars for size, ease of use, and performance...." Read more

33 customers mention33 positive0 negative

Customers like the controls of the hearing amplifier. They mention that the individual volume controls make it easy for everyone to adjust the volume through knobs rather than through the computer volume control. The multiple outputs and volume knobs are nice features, and each headphone jack has its own volume control, making it great for individual headphone level control with multiple parties.

"...Individual volume controls for each channel- Price- Solid construction- NOT battery poweredCon's-..." Read more

"...into the line, it feels sturdy, the connections are solid, controls are precise, if does not distort the audio at all...." Read more

"...The thematicness of the song comes through well. Its also softer than other songs but better than the Grados but not by much in the loudness section...." Read more

"...boost out to 4 different devices, and there is an audio volume control for each output so that you can fine tune your audio settings as needed...." Read more

331 customers mention175 positive156 negative

Customers are mixed about the sound quality of the hearing amplifier. Some mention that the sound is great and full with volume to spare, while others say that the headset was underwhelming and it didn't go very loud. The signal to noise ratio seems excellent, and it gets LOUD. However, some customers also say that it reduces sound for each channel, so the bass may be more prominent yet less well controlled.

"...I thought the bass response on the Sonys was nice but I like headphones that fully enclose the ears to block out noise, amazingly scenes with..." Read more

"...port, we had no control over the volume and it was just barely loud enough to hear anything...." Read more

"...plugged in wether I am listening to something or not there is no white noise created by the amp itself.This amplifier is STEREO sound!..." Read more

"...the flip side, you've got far worse damping factor, so the bass may be more prominent yet less "well controlled"...." Read more

38 customers mention10 positive28 negative

Customers are dissatisfied with the distortion of the hearing amplifier. They mention that it produces incredible amounts of distortion, clipping, and noise. Some say that the audio distortions in all outputs give false frequencies. Overall, some customers are disappointed with the quality of the product.

"...I get distortion at the top end as the headphone drivers can't keep up. Queen sounds great!..." Read more

"...over recording I had made, the "Level1" sounded absolutely terrible, distorted, staticky, just miserable...." Read more

"...sturdy, the connections are solid, controls are precise, if does not distort the audio at all...." Read more

"...and try to amplify it with the headphone amp the distortion and clipping is even greater...." Read more

I think I know why we see varying reviews of this amp
3 Stars
I think I know why we see varying reviews of this amp
I read a lot of the reviews of this little amp before buying a couple to try out for myself.What struck me about the reviews was that there were a lot of people who gave the unit five stars and were completely satisfied with what you get for the very low price. But then there were quite a few one-star reviews where people said that the amplifier didn't actually amplify the signal at all.There were also various reviews in between those extremes, and complaints that the 1/4" TRS jacks were unreliable or mis-sized such that you couldn't get reliable contact or even had to have the plug inserted partway into the jack to get proper stereo.Further, this amp was, naturally, compared to the very similar Behringer HA400 also sold here on Amazon: Behringer HA400 4-Channel Stereo Headphone AmplifierMany reviewers were perfectly happy with the Behringer, but found the Pyle to be substandard or completely useless for their application.I already had one of the Behringer HA400s and have been using it for several years. But I needed another similar amp and figured I'd give the Pyle a try despite the higher percentage of negative reviews. (The Behringer also has some negative reviews, but they're easier to dismiss for reasons I'll get into further on).Many of the complaints common to both the Behringer and this Pyle are about poor contact with the 1/4" TRS jacks that both of these units have. My experience with the Behringer has been that because I am using it with headphones and an input cable that use 1/8" TRS plugs, I had to purchase adapters to make the transition between the two sized connectors.I tried two different brands/makes of adapters and found both of them to be completely worthless. They were intermittent at best, sized incorrectly on both the 1/4" outsides and their 1/8" insides. It was extremely frustrating to say the least! You'd have to hold the headphones' plug at some angle and pull it out slightly to get it to make contact. Or in some cases there was no way to achieve contact. It was shocking that such adapters would even be sold, for any price, no matter how low.I finally ordered some adapters from Parts Express (another seller here on Amazon), but I had to go directly to them because these adapters were not an item that they sold here (at least at that time). The ones I got there have been flawless. They fit the amplifier perfectly and they fit the headphones and my input cable perfectly as well. And they make good, solid, reliable contact with zero fiddling.Since I got those "good" adapters, I have had zero problems with the Behringer amplifier. And it's done its job very well.I think my application is a lot like many people here have described. I have a cable running from our home entertainment system back to the couch where we usually sit when watching TV or listening to something, and the little headphone amp is there, in a console in the couch, and we have several sets of headphones plugged into it so everyone can set their own listening level. Mostly, my wife and I use this setup when we're watching or listening alone and don't want to disturb the other person when they're sleeping, reading, listening to something else on their tablet, etc.And most people doing this will find that their headphones and whatever they're feeding the amp with will NOT have a 1/4" TRS plug on it. So they'll need adapters. So I attribute many of the bad reviews of both of these amplifiers to the adapters that many of these people are probably using. I know I had burning heck with this issue, but I knew that it was the fault of the adapters because I also had some "real" 1/4" TRS connectors that mated perfectly with the amp itself.Of course, it is possible that people are getting amplifiers with poor 1/4" jacks. So I can't dismiss all of the bad reviews entirely as it really being bad adapters, but, after my bad experience with several different adapters, I suspect that's the problem with many of them.So now we move on to the poor reviews of this amp that claim that the amplifier doesn't actually amplify the signal. And you get clipping before the headphones are putting out a loud enough level.I have disassembled and traced the circuitry for both the Behringer HA400 and this Pyle PHA40, and drawn up schematics of what's inside.I was sort of surprised to find that the circuits are virtually identical! Someone reverse engineered someone else's OR this is a "cookbook" design found in one of the semiconductor manufacturer's datasheets for the OP amp that both unit use (the ubiquitous 4580 dual op amp).The ONLY difference between the two is that one unit uses a 22pF compensation cap from the output to the inverting input of each amp section while the other unit uses 20pF caps. That is purely a matter of that value being more readily available, I'm sure. It would have an almost unmeasurable effect on the performance - the difference is probably less than the tolerance of the parts, actually.Seriously. The circuits are the same. The same OP Amps, the same, exact topology, and the same values of each and every component.BUT... And this is what I discovered in my Pyle unit that makes me think I've found the reason for the "this amp has no gain" type reviews.In both the Behringer and the Pyle, a 47 Ohm resistor is placed between the output pin of the amplifier and the connection to the headphones. This introduces some isolation to protect the amplifier and help assure stability with a variety of loads. These little Op Amps don't really have enough output current capability to properly drive low impedance headphones. They wouldn't be my choice for a headphone amplifier output stage. But they're inexpensive, and this setup does work, even if it's not really the ideal way of doing things.And a lot of other things aren't ideal about this design. But remember that you're getting a four output headphone amplifier with enclosure and wall cube for between $16 and $25 depending on the one you choose. You'd be hard-pressed to buy the enclosure, connectors, pots, and other components, let alone the PCB for that money. So we've got to keep in mind what we're dealing with here.Anyhow, the circuit boards in both units have the component values silkscreened onto them. In the Behringer, the actual values are shown. In the Pyle, the "codes" for the values are shown (this probably makes it easier for anyone assembling the unit to get things right even if they aren't trained to know what those codes found on the components actually mean).In the Behringer amp of mine, these output isolation resistors are, indeed, 47 ohms. But in my Pyle unit, even though the PC board is silkscreened with "470" (which, being the code for the value actually means 47 times ten to the 0 power - or 47 Ohms), the components actually installed are all marked "471" which means 47 times ten to the 1st power or 470 Ohms. And, indeed, when measured with an Ohmmeter, they are actually 470 Ohm resistors.Now, unless someone changed their mind about the design after they laid out the PC board and put "470" on the silkscreen, this is an error. I've got output isolation resistors that are ten times the design value!Now, ideally, any amplifier driving a speaker will have as low of an output impedance as possible in order to have good "damping factor". Damping factor is really the ratio of amplifier output impedance to speaker impedance. And what this tells you is how well the amplifier will be able to control the motion of the speaker cone. The higher the damping factor, the better. We want the amplifier to be able to impress its "will" upon the speaker. The lower the amplifier's output impedance, the more accurately it can control the voltage appearing at the speaker terminals and thus, the current through the speaker voice coil, and therefore, the motion of the speaker.When the amplifier output impedance is high with respect to the speaker impedance, the speaker is more free to move on the basis of its inertia. A speaker is a device that converts current through a coil into movement. And the speaker cone and coil assembly always has some mass. Further, to move air, it must create force with which to push or pull on that air. None of this can be done accurately if the amplifier's output impedance is high.The 47 Ohm resistance is bad enough. But having 470 Ohms in that position is ten times worse.Further, as you might imagine, with ten times the output impedance, the amplifier will be very hard pressed to deliver much voltage to the speaker if that speaker has a low impedance. The combination of this output resistor and the speaker impedance (speaker in the headphones) creates a voltage divider.Let's say we've got a set of headphones with an impedance of 8 Ohms (yes, they exist). The voltage delivered to that 8 Ohm speaker will be 0.0167 times what the amplifier IC is actually trying to put out! So right off the bat, you've only got about 1/60th of the signal level! Of course, even the 47 Ohm (correct) resistor will be creating a divider that is cutting you down to about 1/7th of the voltage that the amplifier IC is trying to put out.Now, if we've got a set of headphones with a higher impedance (as is often the case), then this voltage division will be proportionally less. So people who use this amp with higher impedance headphones may not notice any problem. The unit delivers enough voltage to the headphones to operate them well enough.Of course, another variable is the efficiency of the headphones. Some may not require much power to deliver quite high sound pressure levels to your ears. While others may be very inefficient and require a lot more power to deliver that same sound pressure level. So the impedance along with the efficiency of the headphones someone uses with one of these amplifiers will play a large part in how they perceive both of these amplifiers. But especially if they get one of these Pyles, and it has the 470 Ohm resistors installed.I've got a pair of Sennheiser HD201 headphones that I use for TV watching. These are not high-end phones. They're just what I use to watch TV. I've tried them on both the Pyle and the Behringer, and I got adequate volume level out of them on the Pyle. I'm sure I had to turn it up a bit further, but it was acceptable. These headphones are rated at 24 Ohms, with a sensitivity rating of 108dB SPL. Headphones are rated for sensitivity (efficiency) as the sound pressure level achieved with 1 milliwatt of power delivered to them.Now this gets a bit complex because the impedance of the headphone speaker will enter into the equation to determine the power delivered to that speaker for any given voltage applied across the coil. And this all interacts with the output impedance of the amplifier to determine how loud any given headset will play with one of these amps.But the simple version is this: If you have high sensitivity and high impedance in your headphones, you won't be bothered by the 470 Ohm resistors. The lower the sensitivity and impedance, the more likely you are to find the 470 Ohm output impedance of this amplifier to be a problem.Also, I don't know if someone changed the design of this Pyle amp and didn't change the silkscreen legend on the PC boards, OR if the one I (and perhaps many others) got was actually manufactured incorrectly, and it's really supposed to have the 47 Ohm resistors in that position, the way my Behringer does and the way the PC board legend indicates my Pyle SHOULD have. Beats me, but it seems like a manufacturing error.There are other complexities to all of this as well.In both of these amplifiers (remember, I said the circuits are identical) they use a 100 uF capacitor to block the DC path from the common (sleeve, negative) terminal on each headphone jack from system ground. This cap is, therefore, common to both of the stereo channels. It saves them four capacitors per amplifier over the more traditional capacitor coupling method of using one capacitor on the output of each amplifier channel. But it also introduces some crosstalk at low frequencies between the two stereo channels. Whether you can hear this or not is questionable, however, because we tend NOT to get much location information from low frequencies anyhow, and that is, for example, why you can get away with a single subwoofer in a system. You really don't care where those low frequencies are coming from because you can't really tell anyhow. So this is a sneaky, yet clever way to save some money.But the real point is kind of strange. Because you've got a 100uF cap in the signal path, you've introduced a high-pass filter into the system. But the amount of filtering will depend on, you guessed it, the impedance of the headphones to some extent.And somewhat ironically, using the 470 Ohm output resistor actually lessens the effect of this low pass filtering. The amps that have these "undesirable" 470 Ohm resistors may actually deliver better low bass than the ones with the 47 Ohm resistor because the effect of the capacitive reactance of this small cap will be less of the total signal loss in the systems with the higher value output resistors.But, of course, on the flip side, you've got far worse damping factor, so the bass may be more prominent yet less "well controlled".Anyhow, there's a lot to all of this, and the things I take away from all of this are:These are NOT audiophile amplifiers. But they're not intended to be. They're meant to do a job and do it for cheap.The complaints of no or little gain with these Pyles may very well be due to a manufacturing error where they've put 470 Ohm (marked 471) resistors in the output circuits of some or all of the Pyles. Or the manufacturer may have done this on purpose, but that seems like a bad idea. But in either case, this may well be why we don't see those same complaints of "no gain" in the reviews for the Behringer units.These amps are incredibly inexpensive. And I've gotten great use from the Behringer unit of mine. Now that I know that the circuits are identical, but my Pyle has what appears to me to be the wrong value of output isolation resistors, I may well solder in what I believe to be the correct 47 Ohm resistors in my two Pyles so they'll actually be identical to the Behringer which I've enjoyed for several years.Doing this will obviously void any manufacturer warranty, but really, on a $16 device, do I care? Plus, I know the design works and is reliable with the 47 Ohm resistors in place because my Behringer has worked flawlessly for me over these several years that I've had it. And I leave it on 24/7. So the complaints about these units not having a power switch seem a bit silly to me. The wall wart is likely going to waste more energy due to losses in the cheap transformer even if you DID switch power off at the amplifier anyhow. So either way, if you're trying to save the earth by switching one of these units off, you've got to unplug the wall cube anyhow. I'm too lazy for that. Besides, the "waste" heat all goes into my house anyhow, and its COLD outside right now. So it's not wasted at all. :)I know all of this discussion is going to bring out the desire among us audio nuts to modify these amps to make them sound better. And I fully understand that urge. But I'm not sure I'll do much of anything to mine other than put in the "correct" value resistors in the outputs. If I was going to build a good headphone amp, I wouldn't start with this design, or case, or power supply... So I kind of think this is one of those instances where ignorance is bliss. And leaving well enough alone might make more sense.Then again, I also fully understand the urge to do just a bit of "tweaking" of things to eek out a bit better sound.The photos I've attached show the bottom of the PC board out of the Pyle. One is the overall shot, and the other a close-in crop showing one set of these "incorrect" resistors with the 470 legend silkscreened onto the board but with the 471 resistors installed.Again, the silkscreen for all of the other components on the Pyle PCB show the "code" for the component value. So even though the board says "470" and has a 470 Ohm resistor installed, this still appears to be an error.
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Ezequiel
5.0 out of 5 stars Lo vale
Reviewed in Mexico on February 2, 2022
Rob Mitchell
5.0 out of 5 stars Practical and affordable way to channel various stereo signals.
Reviewed in Canada on August 20, 2021
3 people found this helpful
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P D Rich
5.0 out of 5 stars Does what it says on the box, but RTFM.....
Reviewed in the United Kingdom on April 23, 2017
Virus
1.0 out of 5 stars Fa schifo , soldti buttati !
Reviewed in Italy on January 15, 2017
One person found this helpful
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maryjane911
5.0 out of 5 stars Good Quality
Reviewed in Canada on February 11, 2024